« Watching the Wheels | Main | All Ebb, No Flow »

June 29, 2008

Armchair Textile Travels on Sunday Morning

Acey of Sparkling Lotus-Land and Nichobella has written a wonderful review of African Textiles by John Gillow. This book looks magnificent . . . it's expensive but not all that much more than a tank of gas these days, even in my 17-year-old Honda, and will certainly last longer and inspire more. After reading her review I realized that a book I'd checked out from the library last week, called Traditional Indian Textiles, was also by John Gillow. He seems to have a new book forthcoming on Indian textiles as well.

John Gillow is a true global textile explorer (John, wherever you are, do you need an assistant?) and has an incredibly wide-ranging fascination for history, culture and aesthetics seen through the textile lens. As more and more textile traditions are lost, research like his becomes more important.

10923725_a76f5cb5b3_m If Indian textiles interest you, I also recommend Tradition and Beyond: Handmade Indian Textiles, which seems to be more available now. I found my copy at a local store that stocks used and unusual new books, and I'm so glad I bought it. It too was a splurge at the time, but I've never regretted having it for even an instant.

This blog by photographer Claude Renault has a wealth of beautiful photographs of India, and you'll get a feel for the color palette and human emotion of the country seen through an artist's eye.

It's amazing how rich with pattern and color and design the world is. These treasuries of pattern and color in India and Africa contrast quite a bit with the book I'm reading on the Japanese wabi-sabi aesthetic, where colors are subdued, pattern is very subtle, and restful space is paramount.

And if you'd like some world music to go with your textile journey, I've been listening to the beautiful Rise by Anoushka Shankar, Ravi Shankar's daughter. The music is rooted in traditional Indian structures, yet modern and eclectic in its sensibility and very accessible to Western listeners. The song Beloved is transcendent.

photograph of Indian textile by
Celeste Goulding. There is a Creative Commons license attached to this image.

Comments

I also have the African book and have had the opportunity to look at his textiles at talks and quilt shows, have also learnt to leave my purse at home as I love the Indian pieces and I am always tempted.

Okay now there is another book on the list. I really love Anoushka's compositions. Also love watching her conduct. She is so vital and "in charge" plus still so feminine.

I heard John Gillow speak last year and I was the most mavellous experience as he bought a large amount of textiles with him that he was happy for us to handle, stroke, gaze at or even buy. He is a fascinating and entertaining speaker full of anecdotes to accompany each piece of textile he has with him. He mentioned that his publisher has asked him to write a new book on Middle Eastern textiles whch will be similar in format to the African book, so there is another one to look out for and look forward to.

The comments to this entry are closed.

My Photo

Elaine's 10 Qualities of Slow Cloth

  • Read the original post at http://lainie.typepad.com/redthread/2008/01/this-must-be-th.html
  • Joy
    Slow Cloth has the possibility of joy in the process. In other words, the journey matters as much as the destination.
  • Contemplation
    Slow Cloth offers the quality of meditation or contemplation in the process.
  • Skill
    Slow Cloth involves skill and has the possibility of mastery.
  • Diversity
    Slow Cloth acknowledges the rich diversity and multicultural history of textile art.
  • Teaching
    Slow Cloth honors its teachers and lineage even in its most contemporary expressions.
  • Materials
    Slow Cloth is thoughtful in its use of materials and respects their source.
  • Quality
    Slow Cloth artists, designers, crafters and artisans want to make things that last and are well-made.
  • Beauty
    It's in the eye of the beholder, yes, but it's in our nature to reach for beauty and create it where we can.
  • Community
    Slow Cloth supports community by sharing knowledge and respecting relationships.
  • Expression
    Slow Cloth is expressive of individuals and/or cultures. The human creative force is reflected and evident in the work.

Books and Reports by Elaine Lipson

Selected Articles by Elaine Lipson