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April 24, 2009

Comments

Snap, indeed! I really love that this photo resonated with a few of you and that it brought back that feeling of a peaceful afternoon in the refuge of sewing and stitching. We were part of the last "craft renaissance" in the 1970s, and it's good to see the resurgence today.

there must be a few of us who've lived parallel lives. my hair was a little longer, but i too turned fifteen, had embroidered jeans...and a bias cut plaid skirt [predominantly orange!] in that year. the bit about not fitting in matches up as well, as does being 16 when finishing school [by a whisker, i turned 17 two weeks later].

so snap, honey! and like you, i still play with scissors...

oh yes. i am with pat...that could be a picture of me too! wow, some happy memories in that photo. thanks for posting it.

funny to come upon this today as i was just going through old pictures with my mom. i think this photo makes me know you a bit better. i remember using the floor for most everything. everyone used to just walk around me. it is great when you get a perfect gift. i work hard to try to give them. it isn't that easy.

Hi Pat - thank you for writing - you have a terrific blog.
These old photos are so evocative. I'm happy to share mine with you, as those were great moments of discovering fabric and all that could be done with it. That said, I made some frightening fashion choices early on when I first began to sew - I loved big, bright prints that were a little overwhelming on my scrawny frame.

My goodness, it is like looking at a photo of myself. I had the same dark hair and was slim. There I was always on the floor cutting out some pattern. Since no one ever took a photo of me, I will think of your photo when I go back to that time.
Wouldn't you love to have that wool now. When I went to Ireland, there wasn't any Donegal tweed available because it all was exported.
Thanks,

Hi Deb - yes it is indeed - my oldest brother went there and I got the t-shirt. Did you go there?

Is that "Antioch" on your t-shirt?

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10 Qualities of Slow Cloth, by Elaine Lipson

  • I defined Slow Cloth several years ago on this blog. Read the original post at http://lainie.typepad.com/redthread/2008/01/this-must-be-th-1.html. (Copyright Elaine Lipson 2007-2011; all rights reserved).
  • Joy
    Slow Cloth has the possibility of joy in the process. In other words, the journey matters as much as the destination.
  • Contemplation
    Slow Cloth offers the quality of meditation or contemplation in the process.
  • Skill
    Slow Cloth involves skill and has the possibility of mastery.
  • Diversity
    Slow Cloth acknowledges the rich diversity and multicultural history of textile art.
  • Teaching
    Slow Cloth honors its teachers and lineage even in its most contemporary expressions.
  • Materials
    Slow Cloth is thoughtful in its use of materials and respects their source.
  • Quality
    Slow Cloth artists, designers, crafters and artisans want to make things that last and are well-made.
  • Beauty
    It's in the eye of the beholder, yes, but it's in our nature to reach for beauty and create it where we can.
  • Community
    Slow Cloth supports community by sharing knowledge and respecting relationships.
  • Expression
    Slow Cloth is expressive of individuals and/or cultures. The human creative force is reflected and evident in the work.

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