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April 03, 2009



I have just spent several hours catching up with your blog and many of the amazing links that you provide. What a journey you've been on! I had no idea. Got to check in more often. It's so amazing to me also that you posted this image by Moyo Ogundipe. I'm in a class this semester in which we're studying artists from cultures outside the Western Europe/United States art stronghold, and my professor is a close friend of his and showed many of his paintings when we were talking about Yoruba aesthetics. She calls him her "brother." He has work in the Denver Art Museum which is on my must-see list. I don't know if it's currently on exhibit or not.

Sounds like your visit has its ups and downs, but what an opportunity to see some wonderful art. I'm truly envious!

Hi Lainie--Thank you for the link!
Visiting your site is always a pleasure, and exploring your links, creations, and observations is a revelatory experience! jd

Thank you Marja-Leena - haven't seen the exhibition yet, nor do I have any connection with Yoshido Wada; she's quite a well-known shibori artist and teacher, and I'm just a blogger. But thanks for the positive energy.

What a gorgeous exhibition, how fortunate that you were able to visit that! And I can see you've made a new connection with the Japanese artist on a subject dear to you, and found an inspiration for your book! All good things coming your way....

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10 Qualities of Slow Cloth, by Elaine Lipson

  • I defined Slow Cloth several years ago on this blog. Read the original post at http://lainie.typepad.com/redthread/2008/01/this-must-be-th-1.html. (Copyright Elaine Lipson 2007-2011; all rights reserved).
  • Joy
    Slow Cloth has the possibility of joy in the process. In other words, the journey matters as much as the destination.
  • Contemplation
    Slow Cloth offers the quality of meditation or contemplation in the process.
  • Skill
    Slow Cloth involves skill and has the possibility of mastery.
  • Diversity
    Slow Cloth acknowledges the rich diversity and multicultural history of textile art.
  • Teaching
    Slow Cloth honors its teachers and lineage even in its most contemporary expressions.
  • Materials
    Slow Cloth is thoughtful in its use of materials and respects their source.
  • Quality
    Slow Cloth artists, designers, crafters and artisans want to make things that last and are well-made.
  • Beauty
    It's in the eye of the beholder, yes, but it's in our nature to reach for beauty and create it where we can.
  • Community
    Slow Cloth supports community by sharing knowledge and respecting relationships.
  • Expression
    Slow Cloth is expressive of individuals and/or cultures. The human creative force is reflected and evident in the work.


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Books and Reports by Elaine Lipson

Selected Articles by Elaine Lipson